A Fine Summer's Day by Charles Todd

This is the 20th novel (or 21st?) in a historical fiction mystery series set in nineteen-twenties Britain.
The protagonist is Scotland Yard Inspector Ian Rutledge, who proposes on the same very lovely summer day that the heir to the Austro-Hungarian empire is assassinated, an event which sets World War I in motion.

For fans of this series, this story is a kind of "origin story" and allows us to see the Inspector before he served in WWI.

I've never read anything by Charles Todd before.  Charles Todd is a mother-son writing team who live in Delaware and North Carolina, respectively.

I found that the novel immediately drew me in, and I hardly noticed the first 200 pages flying by.  I did something I used to do all the time but rarely do any more:  I read the last chapter to see how it ended.  I'm sorry now that I did that.  The last 100 pages seemed to me to drag, and I suppose knowing how it ended robbed those last 100 pages of any suspense.

The authors supplied plenty of information about the events that began the first World War, and I found that interesting because I'd forgotten what I learned in school.

The Girl on the Train by Paula Hawkins

I've just finished The Girl on the Train and I'm a little bit stunned.  I really enjoyed the beginning of the book.  Rachel's thoughts are so cleverly arranged that you feel as though you're looking in at her through a crack in the door.  Slowly you realize how desperate she is and you feel increasing anxiety - her anxiety - that something bad, something very bad, has happened and that she is somehow involved.  Rachel's attempts to buck herself up reminded me so much of myself that I began to identify with her, and I found myself feeling anxious, guilty and shamed.

As I write this, I'm recovering from my shock and feeling that this is a classically and cleverly designed plot and novel.  Perhaps someone more widely read than myself will point out that the turning points of the plot would, if abstracted, be highly similar to several other hugely popular thrillers.  It's a great structure.  And it's hugely suspenseful, drawing you in from the very first and seeming to accelerate.

I have to say that what makes the book for me is the atmosphere of Rachel's character.  Rachel changes a lot throughout the course of the novel, although she remains a little lost.  (Perhaps the ending is wrapped up a little too quickly, a little too easily to be quite believable.)  Rachel's quite the liar - it'll make you cringe - but she's quite honest with herself.

9/27/15

As I look back on the book, I find myself thinking that is has a classic, Hitchcockian quality:  things seem normal, if bleak, and as the layers of the plot are revealed, you learn that things are really shockingly different from what you imagined.  Things that appeared to be normal are not normal.

I love the idea that the plot springs from an ordinary, everyday activity .. looking in the windows of homes from the train.  I think the very surprises of the plot, hugely entertaining as they are, leave me somehow unsatisfied.

I find myself thinking of The Secret Place by Tana French.  In French's novel, she captures the ephemera of human experience:  the feeling that you have about a person as they walk toward you or by you, those flitters of judgment and assessment that are perhaps unworthy and are quickly forgotten.  Like James, she captures the thoughts and communications and the underlying reality that are never spoken but which, when shared, are still part of the situation.  I've wondered if she invites comparison with James in this respect. I've also wondered if her work as an actor has influenced her sensitivity to perception.

 I think that psychological perception was very much part of what I admired in The Secret Place, and perhaps that's part of what I'm missing in Girl on the Train.  Girl on the Train is 336 pages and The Secret Place is 480 pages. Shorter is often better, and the readers in my book group would prefer shorter.  Many readers prefer plot over characterization, and I prefer characterization over plot.

Having said that, Girl on the Train is entirely successful, in my view, in achieving its aims.  If you like suspense, I'd highly recommend it.

Last One Home by Debbie Macomber

I dreaded reading this book.  I thought the beginning was a little dull and a little stilted.  But long before I reached the end of the book, I felt as though I'd had the experience that makes Debbie Macomber the focus of such devoted fandom.

Cassie is a woman who's left a dangerously abusive marriage.  With the help of a women's shelter, she's gained skills as a hair stylist and has moved back to Washington state from Florida.

While she was married, her husband controlled her actions and movements, and she was not able to attend either the funeral of her father, or that of her mother (who died after she left her husband, but before she had any money to travel back to Washington).

Now she's working on building her clientele as a hairdresser, caring for her daughter, and volunteering to help other abused women.  She becomes involved with Habitat for Humanity, and she soon has the opportunity to use "sweat equity" to get a real house for herself and her daughter.

She has not seen either of her two sisters since she married her husband.  At the time she married, she was only eighteen, pregnant, and both her parents and both her sisters opposed her marriage.

A wrinkle develops when her Habitat for Humanity supervisor takes one look at her and decides that her long fingernails probably mean that she isn't a very good worker.  Another develops when her sister, who lives several hours away, offers Cassie furniture from their parents' home.  The furniture is in storage, and the sister only wants to pay for another month.  Cassie is desperate to have the furniture, not just because she has no furniture and no money to buy any, but because it's a link to the past and the family that she lost when she married her husband.

The novel is about reconciliation and healing and this is a frequent theme in women's fiction.  I can't help thinking that lack of reconciliation is an issue in the lives of many, and that that is the explanation for its lasting popularity as a theme.